Meet the Power Screamer, the most unique sound to ever come from a distortion pedal. The smooth overdrive tone coming from the JRC4558 IC can be pushed into deliciously compressed distortion with almost a reverse attack effect if desired. At the heart of the Power Screamer is the 3-way diode switch, the key to colouring the tone of this unit. True bypass? What do you think…this is no toy…not for the squeamish. Available in Tweed and Standard finishes!  Currently on the pedal board of one Carlos Santana!

Tweed: £149

HBE Dos Mos. Dual Mosfet Pre-Amp with two independent outputs. Capable of up to 25db gain per channel. Switchable to run as a single channel pre-amp with and adjustable boost. Uno channel may also be used as a buffer. Great clean boost or capable of driving any amp into saturation.

Experience the sound recorded by many guitar legends. The HBE Germania is a recreation of the highly sought after Dallas Rangemaster Treble Booster. Features an NOS Germanium Transistor and switchable Lo-Fi / Hi-Fi modes. Lo-Fi mode: original Rangemaster sound, tough and aggressive. Hi-Fi mode: brighter, more transparent with less mid emphasis.

Germania 44 / Treble Booster

The Germania 44 is identical to the Germania except that it is built using the highly regarded and sort after European OC44 germanium transistor. Features switchable Lo-Fi / Hi-Fi modes. Lo-Fi mode: original Rangemaster sound, tough and aggressive. Hi-Fi mode: brighter, more transparent with less mid emphasis.

Modelled after a vintage compressor circuit, the HBE CPR is an effect you may want to leave on all the time. The CPR is extremely transparent and quiet and it can be used on any instrument to obtain the singing sustain without the hiss, noise and annoyances associated with other compression pedals.

Extremely versatile overdrive and distortion pedal capable of achieving many different sounds ranging from a light bluesy overdrive to modified hi-gain tube amp distortion. Features a 5-way diode select, selectable hard / soft clip mode, 'Bigger' foot switch for adding gain with independent control, extremely high input impedance, low noise.

Vintage styled Wah with modern features:

True-Bypass, Heavy Duty Sealed Pot, Battery or DC Power Supply Operation, Battery Access Door, Internal Board Mount Trim-Pots for user adjustments of gain and sweep range, No Slip Grip Tape Foot Control, Fasel Yellow (vintage) inductor.
Can be ordered with Fasel Red (modern) inductor.

HBE THC “Three Hound Chorus” is a warm, rich all analogue Chorus with True bypass switching. Features Depth and Speed controls plus the unique Width control which physically changes the distance (or width) between wave forms adding a whole new dimension to the Chorus effect:

The Mimic is an all analogue (Bucket Brigade based) delay. Features adjustable Time, Level and Repeat controls. The maximum delay time can be pre-set with a user adjustable trim pot on the circuit board.  This sounds fantastic, a really warm and classic delay sound that oozes analogue vibe.  One of the best delays we've ever heard!

Pedal Specs:
Knobs: Volume, Gain
Features: DC Power Jack, True Bypass, LED
Size: 3 1/2" Wide, 4 1/2" Long, 1 5/16" Tall

The Batch O Ass is one of the high gain pedals Greer produce, this pedal can do anything from mean, aggressive distortion to beautiful tube overdrive type sounds as well as a rather substantial clean boost. This pedal plays well with both humbuckers and single coils. The circuitry in this pedal provides two successive gain stages that are voiced to allow the subtle nuances of players' styles to shine. As with all Nick Greer pedals, it is true bypass and is sensitive to your playing style and pick attack.

Pedal Specs:
Knobs: Volume
Features: DC Power Jack, True Bypass, LED
Size: 2 1/4" Wide, 4 5/16" Long, 1 1/4" Tall

The Black Fuzz is a very simple, elegant pedal with more of a complex sound than most think. This pedal has a single control that adjusts only the volume of the output signal. The guitarist is able to control the gain from the guitar by lowering the volume control on the guitar. The Black Fuzz is one of the most pick sensitive pedals we build, even with the guitar's volume control at full volume, a beautiful clean sound can be had by simply picking softly. This pedal has been compared to classic sounds from the seventies, with thick, lucious distortion and a slight bit of a fuzz sound, envision a Black Face style amp being pushed hard with a bit of fuzz added on top.

Pedal Specs:
Knobs: Volume, Grit
Features: DC Power Jack, True Bypass, LED
Size: 2 1/4" Wide, 4 5/16" Long, 1 1/4" Tall

Like the namesake's explosive characteristics, this pedal comes out of the box ready to go off! A two knob single circuit design allows for a beautiful, textured boost mixed with a slight 60's distortion sound that works wonderfully with tube amps. This pedal is designed with the player that has his/her amplifier on the edge of breaking up. The volume knob of course controls the volume of the boost. The grit (c/fuzz on some earlier models) knob controls the amount of "hair" that is added. The grit knob is most useful when the player has the amp set on the verge of breakup and becomes more flexible the more the amp is driven, at low levels the grit knob is not so noticeable in effect. This pedal is truly loud, proud, and is not afraid of being mean!

Whether on his groundbreaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde’s guitar playing is loud, tough, and relentless. Zakk’s take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he looked no further than Dunlop. The result is the new Wylde Overdrive. This muscular stompbox will turn your clean amp into a heavy, chunky crunch machine. Or, use it like Zakk does and kick it in front of a dirty amp for a screaming, sustaining lead tone. The three simple controls—Output, Tone, and Drive—make getting up and running easy, so you can concentrate on the business at hand: kicking major ass.

In the middle ranges of the Output and Distortion controls, you'll find soft-clipped distortion tones that sound truly retro-authentic, especially when they're mixed with a splash of reverb. Pushing Distortion up higher produces classic fuzz tones that are finding their way onto an increasing number of albums. A welcome, enjoyable alternative to LA saturation and British crunch.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between.

Dunlop has once again partnered with living legend Edward Van Halen to present a new spin on a classic tone. Everyone knows that it was the MXR Flanger that powered the timeless Van Halen tunes "Unchained" and "And the Cradle Will Rock." Now you can grab a piece of that world-class tone with the new MXR EVH 117 Flanger. This amazing stompbox features the same bucket-brigade technology that provided the sweeping, whooshing magic of the original. But we didn't stop there. We've also added the EVH Switch, which instantly calls up Eddie's "Unchained" sound with the exact same Manual, Speed, Width, and Regeneration settings that he used to get one of the greatest guitar tones of all time. If that's not cool enough, we painted the EVH Flanger with the rocking striped graphics that started a revolution. Get the MXR EVH 117 Flanger and hit the ground running.

• EVH Switch activates preset Manual, Speed, Width, and Regeneration settings for instant "Unchained" tone

* Original bucket brigade design for classic analog flanging

* Indestructible die-cast housing in EVH-approved striped graphics

Often imitated but never duplicated, the elusive vintage “script” Phase 90 is at the top of the list for pedal collector's world-wide. The original version—available from the company's inception to the late 70's—practically defined the classic phase shifter sound, and was heard on everything from hard rock, jazz-fusion, to funk hits. The new MXR Custom Shop Script Phase 90 brings back the headroom and clarity of the original, along with its ultra warm and smooth phasing and reduced midrange swell. And it comes dressed in the original smooth orange paint job and script logo, with or without an LED direct from the MXR Custom Shop. CSP-101S CSP-101SL (with LED) • Original circuit design for smooth and lush 4-stage phasing • Same indestructible die-cast housing • Original smooth orange finish and script logo
 

The pedal that started it all The distortion countless musicians such as Hendrix and Santana relied on for its rich, creamy, violin-like sustain. A timeless piece, the Big Muff has been defining the sound of rock guitar for the past 30 years. From Pink Floyd to the Chemical Brothers to Korn, everyone wants a piece of the 'Pi!

Divine reverb for mere mortals Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal. Priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, "How did they fit Notre Dame into such a small package?" Finally, reach enlightenment with the haunting Flerb.

Analog synth for guitar From the classic vintage sounds of the great early Moog synthesizer to wild custom creations, the Micro Synthesizer for Guitar lets the player create those fat analog synthesizer sounds heard on records by everyone from George Clinton to the Police to the Chemical Brothers. The compact layout of ten slider controls lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds.

REVERB + GOLDEN GATE Let the Golden Gates of heaven open up for you! Expanding on the reverb sounds found in the Holy Grail comes the Holier Grail: 8 high-quality reverbs that will drive guitarists and experimentalists to part seas just to unearth it. Two of each reverb: Spring, Hall, Room, Flerb, post-reverb Gate, and Reverse Gate will open new doors to other worlds of reverb and help you get your wings.

Electro-Harmonix has just added a new member to its family of effects with the White Finger compressor.

Just like its cousin the Black Finger, the White Finger uses two optocouplers (LED and lamp) to offer uniquely varied compressions - without all the pumping or breathing of other models.

The only difference is that the White Finger has more sustain and utilizes multiple FETs instead of vacuum tubes - making it a more affordable alternative. Let there be "White!"

After extensive research into what made the 1970 Big Muff such a special and legendary pedal, Electro-Harmonix came up with a new addition to its Big Muff family: The Little Big Muff.

Housed in a compact, die-cast box with smooth corners, The Little Big Muff presents the classic, true-to-heritage, 1970 tone that falls somewhere between the current U.S. Big Muff and the Russian Big Muff. Its long, silky smooth sustain proves that celebrated sound can indeed come in small packages.

True to the blurb, these do sound much more like the original Big Muff pedals, a much more solid 70's sound.  Pick this up if you're looking for TRUE 70's fuzz!

Electro-Harmonix spent many months creating what we believe to be the best heavy metal pedal ever built. The Metal Muff utilizes three powerful EQ bands, including a midrange control designed for perfect contouring. Along with beautifully sculpted mids, the Metal Muff offers commanding bass and defined top end—coupled with user-controlled distortion from pinched-edge to totally crushing—making it a heavy metal gold mine.

The Nano LPB-1 Linear Power Booster An exact recreation of the original LPB-1 circuit, which ushered in the age of overdrive in 1968. Put the LPB-1 in front of any effect to dramatically increase definition from its cleaner and heavier input drive. Control the gain and saturation of any amp. The LPB-1 puts impact into your tone.

This is a great pedal for boosting your signal, whether clean or driven, without altering your tone.  These really are a wonder, come down and try one out!

The ultimate chorus pedal. Lush, warm and defined chorusing and vibrato. Simple but definitive performance controls. Use the stereo outputs and be enveloped in a spatial shimmer. 

It's fitted with two seperate chorus functions as well as a vibrato sqitch, so there's a lot to play with.  It sounds like a great 70's/80's chorus, it made me think of early Police tracks in that warm, roomy kind of way.  Definitely a must if you're in the market for a new chorus.

It’s an echo, a multi-tap delay, a reverse echo, and a performance looper with up to 30 seconds of loop time, all in true stereo! Featuring tap tempo, vintage tape echo filtering, and eight programmable presets... it’s got all the Hazarai. Designed for the performing musician and destined to be one of the most creative tools on your pedalboard.

This is truly one of the best toys we've had through in a while - it does so much, if you ever wanted a Line 6 DL4 this is cheaper and beats the pants off it.  Essential for anyone making ambient guitar based sounds too.

Make your 6-string ring like a 12. Make your 4-string bass pump like an 8. Convert your guitar into a tight, convincing bass. Generate organ-like harmonic structures. Fast, glitch free polyphonic tracking.  One of the best octaves on the market!

Up to two seconds of delay with a warm analog style decay. Sits beautifully in any track or performance. EH has a reputation for quality delays and this number is a prime example.  This is incredible value for money at this price, and is a great addition to any pedal board!